The VST MIDI IN allows the MIDI stream to traverse the graphic user interface that you consider the "editor". The "Motif XF VST MIDI In" (circled in red in the screenshot below) is different from the "Motif XF MIDI In" - and is selected as different. Each new PART you want to use in your multi-timbral Motif XF requires you create a new MIDI track assigned to the Motif XF VST's MIDI IN. Later you can create as many MIDI tracks, assigned to this VSTi, as you require.
The MIDI track for Motif XF data and a VST Folder for the audio lane will appear. In a similar scenario as you would in setting up any VSTi, you will be asked if you want to create a MIDI track assigned to the "Motif XF VST". This is how you access the new "Motif XF Editor VST". In the first space in the VST Instrument Rack click and select "External" > "D – Motif XF VST"
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We cannot strongly enough recommend that the one thing you should do while learning to use the Motif XF VST is to read through the 55 page online (PDF) HELP manual that comes with it. If you are using the XF Editor as 'standalone' naturally, you will need to save an Editor File (.X3E) for your Motif XF setup and you will need to restore it manually. This includes any MIX VOICES, or custom USER VOICES you may have created. You can opt to save just the CURRENT MIXING setup or you can Save the entire Voice Library contained in your Motif XF at the time of the project.
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So exactly like any software synthesizer you may have used, the Motif XF and all its Voices, Edits, etc., are saved as apart of the Project itself.
It is automatically saved with the Cubase Project. When you Save the Cubase Project, you do not have to save the Motif XF VST data separately. External VSTi are rendered in real time - this makes sense because the MIDI data needs to be played back to the XF for the XF to generate the AUDIO which is then converted to a high resolution audio waveform on the computer. This is exactly how all soft synths are treated - via the 'virtual audio' lane prior to rendering the waveform. It is only during the EXPORT AUDIO MIXDOWN that the "virtual audio" becomes "real audio". VST Instruments all play through the VST INSTRUMENT FOLDER which contains an AUDIO LANE and an AUTOMATION LANE - the AUDIO LANE is "virtual" audio, it is not yet printed as an audio waveform - you are simply monitoring the audio before it is rendered as a Waveform by the process known as EXPORT AUDIO MIXDOWN. This audio lane allows you to hear exactly what will be rendered when you execute the "Audio mixdown". Without this advanced routing you would typically be recording just standard MIDI tracks into your DAW (Cubase), and as we all know MIDI is not audio and therefore processing MIDI tracks with Plug-in Effects is not possible. But VSTi routing means that the MIDI data for the hardware XF engine will be routed in such a way that the MIDI data travels from Cubase to the XF (hardware) tone engine which returns audio to Cubase via the special VST AUDIO LANE provided for VSTi synths. The advanced audio routing means you can use software based plug-ins to process your individual audio streams coming from the Motif XF. When you next open this Project it will restore every setting of your Motif XF! The advantage of running the XF Editor as a VST is that it allows not only advanced audio routing, but when you SAVE your DAW Project file, all the Voices, Mixing setup and settings of your Motif XF are remembered along with the Project. The VST version requires a DAW software capable of running VST3 plug-ins. It can run as a standalone program, or it can run as a VST3 plug-in for audio integration, called the "Motif XF VST". There are two different ways of running the Motif XF Editor. How can a hardware synthesizer act as a VSTi? Find out all about this advanced integration feature!Ī Getting Started Guide: Motif XF EDITOR VST
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